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	<title>MentalPolyphonics &#187; Writing</title>
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		<title>Fun With Linguistics</title>
		<link>http://mentalpolyphonics.com/posts/fun-with-linguistics</link>
		<comments>http://mentalpolyphonics.com/posts/fun-with-linguistics#comments</comments>
		<pubDate>Tue, 01 Nov 2011 03:38:38 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
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		<category><![CDATA[Philosophy]]></category>
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		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=15980</guid>
		<description><![CDATA[Jill and I just fell down a bit of a Wikipedia hole. Here are some of the weird backwaters of English. First, a sentence with syntax but no (non-poetic) semantics from Noam Chomsky: &#8220;Colorless green ideas sleep furiously.&#8221; Some strings demonstrating lexical ambiguity, which are syntactically correct, but presented without punctuation which would aid parsing: [...]]]></description>
			<content:encoded><![CDATA[<p>Jill and I just fell down a bit of a Wikipedia hole. Here are some of the weird backwaters of English. First, a sentence with syntax but no (non-poetic) semantics from Noam Chomsky:</p>
<p><a href="http://en.wikipedia.org/wiki/Colorless_green_ideas_sleep_furiously">&#8220;Colorless green ideas sleep furiously.&#8221;</a></p>
<p>Some strings demonstrating lexical ambiguity, which are syntactically correct, but presented without punctuation which would aid parsing:</p>
<p><a href="http://en.wikipedia.org/wiki/That_that_is_is_that_that_is_not_is_not_is_that_it_it_is">That that is is that that is not is not is that it it is</a></p>
<p><a href="http://en.wikipedia.org/wiki/James_while_John_had_had_had_had_had_had_had_had_had_had_had_a_better_effect_on_the_teacher">&#8220;James while John had had had had had had had had had had had a better effect on the teacher.&#8221;</a></p>
<p>Homophonic complexity can be used to generate stunningly opaque sentences with valid syntax:</p>
<p><a href="http://en.wikipedia.org/wiki/Buffalo_buffalo_Buffalo_buffalo_buffalo_buffalo_Buffalo_buffalo">&#8220;Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.&#8221;</a></p>
<p>Latin has a good one: <a href="http://en.wikipedia.org/wiki/Malo_malo_malo_malo#Examples_and_analysis">&#8220;Malo malo malo malo.&#8221;</a> The supposed translation: &#8220;I would rather be, In an apple tree, Than a naughty boy, In adversity.&#8221;</p>
<p>Atypical punctuation we were looking at included the percontation point (⸮), or irony mark, which can be used to mark rhetorical questions or ironic statements. <a href="http://en.wikipedia.org/wiki/Herv%C3%A9_Bazin">Hervé Bazin</a> (the novelist, <a href="http://en.wikipedia.org/wiki/Andr%C3%A9_Bazin">not the film critic</a>) <a href="http://en.wikipedia.org/wiki/Irony_punctuation#Irony_mark">suggested some more</a>:</p>
<blockquote><p>such as the &#8220;doubt point&#8221;, &#8220;certitude point&#8221;, &#8220;acclamation point&#8221;, &#8220;authority point&#8221;, &#8220;indignation point&#8221;, and &#8220;love point&#8221;.</p></blockquote>
<p>The <a href="http://www.buzzfeed.com/expresident/13-punctuation-marks-that-you-never-knew-existed">exclamation comma and question comma</a> were <a href="http://en.wikipedia.org/wiki/Punctuation#Novel_punctuation_marks">patented in Canada in the early 90s and fell out of it shortly thereafter.</a> The patents probably stopped their general uptake. Yeah!, I&#8217;m sure,? totally⸮</p>
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		<title>Gil Scott-Heron Is Dead</title>
		<link>http://mentalpolyphonics.com/posts/gil-scott-heron-is-dead</link>
		<comments>http://mentalpolyphonics.com/posts/gil-scott-heron-is-dead#comments</comments>
		<pubDate>Sun, 29 May 2011 00:30:17 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Hip Hop]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=14691</guid>
		<description><![CDATA[The godfather of rap has left the building at 62 &#8212; far too young. He was right too: the revolution was sent over TCPIP. Seriously though, I&#8217;m just beginning to develop a consciousness that this poem speaks to now &#8212; a kind of disgust combined with &#8220;makerism.&#8221; I feel that somewhere along the line I [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bbc.co.uk/news/world-us-canada-13582880">The godfather of rap</a> has left the building at 62 &#8212; far too young.</p>
<p><object width="425" height="349"><param name="movie" value="http://www.youtube-nocookie.com/v/rGaRtqrlGy8?fs=1&amp;hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube-nocookie.com/v/rGaRtqrlGy8?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" width="425" height="349" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>He was right too: the revolution was sent over TCPIP. Seriously though, I&#8217;m just beginning to develop a consciousness that this poem speaks to now &#8212; a kind of disgust combined with &#8220;makerism.&#8221; I feel that somewhere along the line I became too wrapped up in spectation and became a good audience member, perhaps at the expense of being a good performer.</p>
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		<title>Lazy Locutions</title>
		<link>http://mentalpolyphonics.com/posts/lazy-locutions</link>
		<comments>http://mentalpolyphonics.com/posts/lazy-locutions#comments</comments>
		<pubDate>Tue, 08 Mar 2011 20:10:26 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[religion]]></category>
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		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=14236</guid>
		<description><![CDATA[Here&#8217;s an article on misotheists, people who believe in God and hate him/her/it. I just want to talk about the last sentence in this paragraph: When it comes to God-hatred, a collective blindness seems to settle on us. First, we lack a generally agreed-upon name to refer to this religious rebellion. And anything that doesn’t [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://religion.blogs.cnn.com/2011/03/08/my-take-why-some-people-hate-god/?hpt=C2">Here&#8217;s an article on misotheists</a>, people who believe in God and hate him/her/it. I just want to talk about the last sentence in this paragraph:</p>
<blockquote><p>When it comes to God-hatred, a collective blindness seems to settle on us. First, we lack a generally agreed-upon name to refer to this religious rebellion. And anything that doesn’t have a word associated with it doesn’t exist, right?</p></blockquote>
<p>Um, no. Hell no! Is that actually an idea that people have? Both language <em>and its limits</em> are terribly important, especially for anyone trying to understand &#8212; well, anything.</p>
<p>I&#8217;ve run into this idea and some similar variants quite a lot. A director gave us an amazing lecture, and then asserted that anything could be conveyed through language. &#8220;OK,&#8221; I said, &#8220;orgasm.&#8221; That shut him up &#8212; if language could predictably convey orgasm (and I&#8217;m sure it can for some) then phone sex operators would be the highest-paid profession on Earth and radio would be illegal.</p>
<p>In this case, words don&#8217;t describe all of reality &#8212; ask anyone who&#8217;s invented anything. That would require that The English Language was handed down from on-high, full of words we now use for concepts that, at the time, were reserved for future definition. &#8220;No, Heinrich, don&#8217;t call that a &#8216;computer&#8217;. They&#8217;ll need that word in the 20th century.&#8221;</p>
<p>Last, language is woefully insufficient to describe the sensorium. Anyone who&#8217;s been <a href="http://mentalpolyphonics.com/posts/i-finally-got-the-hang-of-thursdays">blessed with mushroom poisoning</a> or who has seen a photograph, or heard music, or smelled a flower, or tasted literally anything, could tell you that.</p>
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		<title>What has Blogging Done to Me?</title>
		<link>http://mentalpolyphonics.com/posts/what-has-blogging-done-to-me</link>
		<comments>http://mentalpolyphonics.com/posts/what-has-blogging-done-to-me#comments</comments>
		<pubDate>Fri, 17 Dec 2010 14:42:04 +0000</pubDate>
		<dc:creator>Jared</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[meta]]></category>
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		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=13390</guid>
		<description><![CDATA[My blog posts are generally written off-the-cuff in one sitting. Sometimes I go back and tweak them a bit before (or after) they get posted. I don&#8217;t know if you noticed but I aim for 300 words, which I now have an intuitive sense of.* Sometimes my browser spell checks them; my own reading probably [...]]]></description>
			<content:encoded><![CDATA[<p>My blog posts are generally written off-the-cuff in one sitting. Sometimes I go back and tweak them a bit before (or after) they get posted. I don&#8217;t know if you noticed but I aim for 300 words, which I now have an intuitive sense of.* Sometimes my browser spell checks them; my own reading probably won&#8217;t catch any grammar mistakes I make in writing.</p>
<p>I challenge <em>any</em> non-blogger to a timed, 300-word essay-writing competition. <strong>I WILL DESTROY YOU.</strong></p>
<p>There&#8217;s a certain amount of specificity in training: marathons won&#8217;t help your football tackle (although power cleans will). Because of my blogging, I can write assignments and technical documents up to 500-words that will get an A on the first draft. Beyond 500 words I run out of steam and have to <a href="http://mentalpolyphonics.com/posts/blogging-has-spoiled-me" title="recursive link">take an iterative approach to writing</a> like everybody else.</p>
<p>Part of the reason I originally started blogging was to deprogram myself from the academic writing style I was using my thesis. Now I write everything as if I&#8217;m <a href="http://www.useit.com/papers/webwriting/" title="list of articles">writing for the web</a>. It&#8217;s a pretty transferrable style, but my friends and family occasionally call me out.</p>
<p>I happily tell employers and anybody else who will listen about how blogging has improved my writing. I&#8217;d recommend it to anybody else who wants to improve theirs. But as Alex warned: you need to practice the <em>kind</em> of writing you want to get good at.</p>
<p>* If I can get my point across in less words that&#8217;s all the better, so don&#8217;t count this post.</p>
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		<title>Blogging Has Spoiled Me</title>
		<link>http://mentalpolyphonics.com/posts/blogging-has-spoiled-me</link>
		<comments>http://mentalpolyphonics.com/posts/blogging-has-spoiled-me#comments</comments>
		<pubDate>Thu, 16 Dec 2010 21:31:29 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=13366</guid>
		<description><![CDATA[I have been working on an essay about Asylum&#8216;s film-theoretic grounding FOR MY ENTIRE LIFE. It is seriously becoming a giant panic-attack-inducing slog&#8230; and I blame blogging. Most of what I write on here is a first draft, and I&#8217;m sure it shows. My blogging output, for better or worse, is prolific. But I hate [...]]]></description>
			<content:encoded><![CDATA[<p>I have been working on an essay about <em>Asylum</em>&#8216;s film-theoretic grounding <strong>FOR MY ENTIRE LIFE.</strong> It is seriously becoming a giant panic-attack-inducing slog&#8230; and I blame blogging.</p>
<p>Most of what I write on here is a first draft, and I&#8217;m sure it shows. My blogging output, for better or worse, is prolific. But I hate going back and doing revisions for some reason. I have pages of notes that I find it impossible to piece together into a written flow.</p>
<p>Maybe that&#8217;s it though. Looking some of my notes I have no idea WTF I was thinking, and it seems that the moment to shape the prose is lost, the state of flow has passed:</p>
<blockquote><p>  AAA Is partly a film about cultural practices, and is necessarily insufficient wrt context, as is QVM. did aaa become an exotic backdrop for my own exploration? sadism / victorian repression</p></blockquote>
<p>Good writing, supposedly, is like sculpture &#8212; you start with raw materials and hack away until you have an elephant. Except I don&#8217;t even sculpt like that&#8230; I make things from smaller pieces, not larger.</p>
<p>Or maybe it&#8217;s software that&#8217;s ruined me? The idea of writing a program by typing every line of code that pops into my head and then cutting it down to just those that work seems ridiculous. Except that&#8217;s kinda how you are supposed to code &#8212; premature etc is the root of all whatever?</p>
<p>Maybe I&#8217;m not broken though &#8212; I can do this, back to it. But where do you start when <em>every</em> thought is half-complete? TODO: Finish this and this and this. Argh. When is it appropriate to expand the notes into thoughts!!1!!!!eleven PaNicK</p>
<p>I can only write the words &#8220;sexual dialectic&#8221; so many times before I feel the onset of a kind of terminology-based-insanity; wondering if, in fact, I&#8217;ve gone around the bend and am just scrolling around my sixteen pages, randomly inserting gibberish.</p>
<blockquote><p> Episodes held together with the corridor sequence &#8212; progressing towards the light &#8212; just as QVM is episodic, and held together with a birth-death symbolic structure of sexual dialectic</p></blockquote>
<p>Argh.</p>
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		<title>Incomparable Dance</title>
		<link>http://mentalpolyphonics.com/posts/incomparable-dance</link>
		<comments>http://mentalpolyphonics.com/posts/incomparable-dance#comments</comments>
		<pubDate>Wed, 25 Nov 2009 00:05:49 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=9153</guid>
		<description><![CDATA[I am writing at the moment, but not for this blog. I&#8217;m keeping a mental health journal documenting dreams and pills and mood states, mostly in narrative &#8220;I went here and did this and felt that so took this&#8221;, sometimes in poems I won&#8217;t bore you with. Within the last week I&#8217;ve felt annihilated, one [...]]]></description>
			<content:encoded><![CDATA[<p>I am writing at the moment, but not for this blog. I&#8217;m keeping a mental health journal documenting dreams and pills and mood states, mostly in narrative &#8220;I went here and did this and felt that so took this&#8221;, sometimes in poems I won&#8217;t bore you with.</p>
<p>Within the last week I&#8217;ve felt annihilated, one of my worst moods ever &#8212; worse, by far, than I&#8217;ve felt in around five years. Then I felt happy, for the first time in however long &#8212; actual happiness, not ironic victory: a mild, pleasant sense of well-being.</p>
<p>Now, once again, I feel hopeless.</p>
<p>If you conceptually graph &#8220;challenge of&#8221; versus &#8220;skill at&#8221; a task you get something like this:</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/4/4f/Challenge_vs_skill.jpg" alt="Challenge vs. skill graph." /></p>
<p>I can&#8217;t remember the last time I felt anything like being on the right side of that graph. Maybe &#8220;Boredom&#8221;. Maybe. Mostly I feel as though I move from Apathy through Worry to Anxiety and back. I feel that everything I do &#8212; including what I&#8217;m writing right now &#8212; is just really terrible and unskilled.</p>
<p>And, it turns out, there&#8217;s no pill for that &#8212; which was one of my big fears. This might be one of those mitigable-but-insoluble psychological problems that is going to cause me pain for the rest of my life.</p>
<p>Okay, back to sucking at whatever I can force myself to do next. <a href="http://www.lettersofnote.com/2009/10/it-will-be-sunny-one-day.html">This letter from Stephen Fry</a> always helps.</p>
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		<title>No Masters and No Martyrs</title>
		<link>http://mentalpolyphonics.com/posts/no-masters-and-no-martyrs</link>
		<comments>http://mentalpolyphonics.com/posts/no-masters-and-no-martyrs#comments</comments>
		<pubDate>Thu, 12 Nov 2009 03:29:00 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/posts/time-management-for-anarchists</guid>
		<description><![CDATA[I&#8217;m entering a screenwriting competition tonight. I left myself five days to get the thing done but for wonderful reasons I&#8217;ve procrastinated that time away. I&#8217;m now hectically hacking away at my second revision &#8212; well, not at this very instant, obviously. The ideas are all there but it needs work to make dramatic sense. [...]]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://issuu.com/chucklebig/docs/timemanagementforanarchists?mode=a_p&#038;wmode=0" width="600px" height="922px"></iframe></p>
<p>I&#8217;m entering a <a href="http://www.nsi-canada.ca/canadian_filmmakers_get_mentoring_advice_guidance_to_make_a_short_film.aspx">screenwriting competition</a> tonight. I left myself five days to get the thing done but for wonderful reasons I&#8217;ve procrastinated that time away.</p>
<p>I&#8217;m now hectically hacking away at my second revision &#8212; well, not at this very instant, obviously. The ideas are all there but it needs work to make dramatic sense. I think it actually needs more cuts than additions, which is nice. I also need to avoid killing a character or to kill him in a more dramatically effective way. Death is a cliché.</p>
<p>Anyway, that&#8217;s neither here nor there. This situation reminded me of <a href="http://timemanagementforanarchists.com">Time Management for Anarchists</a>, not least because one of the characters I&#8217;m writing is militantly anti-employer. TMA has been the organizing theology of my life since the comic (now hard to find online, so I did it for you) was published.</p>
<p>I&#8217;m not always a righteous member of the faithful &#8212; I&#8217;ve gone through long periods of apostasy, atheism, and sin &#8212; but I&#8217;m tryin&#8217;, Ringo. I&#8217;m tryin&#8217; hard to avoid the tyranny of evil men.</p>
<p>Selah.</p>
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		<title>Canadian Poetry: Bah, Humbug?</title>
		<link>http://mentalpolyphonics.com/posts/canadian-poetry-bah-humbug</link>
		<comments>http://mentalpolyphonics.com/posts/canadian-poetry-bah-humbug#comments</comments>
		<pubDate>Tue, 10 Nov 2009 07:01:50 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
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		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=8836</guid>
		<description><![CDATA[There&#8217;s a poetry slam starting in Victoria today, The Canadian Festival of the Spoken Word. I&#8217;m incredulous towards Canadian poetry (hence the &#8220;bah, humbug&#8221; in the title). Just as in painting, where I think cleaving to our G7 heritage limits us, I think Canadian poetry typically overuses weather themes to the point of extreme boredom. [...]]]></description>
			<content:encoded><![CDATA[<p>There&#8217;s a <a href="http://en.wikipedia.org/wiki/Poetry_slam">poetry slam</a> starting in Victoria today, <a href="http://www.davemorrisisa.com/cfsw.html">The Canadian Festival of the Spoken Word</a>.</p>
<p>I&#8217;m incredulous towards Canadian poetry (hence the &#8220;bah, humbug&#8221; in the title). Just as in painting, where I think cleaving to our G7 heritage limits us, I think Canadian poetry typically overuses weather themes to the point of extreme boredom. It&#8217;s the poetry-is-to-television equivalent of watching the Weather Channel (not <a href="http://en.wikipedia.org/wiki/Robert_W._Service">Service</a>, though &#8212; <a href="http://www.wordinfo.info/words/index/info/view_unit/2640/?letter=C&#038;spage=26">his stuff</a> <a href="http://freemasonry.bcy.ca/biography/service_r_w/dan_mcgrew.html">is gold</a>).</p>
<p>&#8220;Oh, Canadian poetry&#8221;, I teased a Canadian poet once, &#8220;Let me guess: The bleakness and isolation of the farmhouse in Winter is a metaphor for the bleakness and isolation of the souls of its occupants?&#8221;</p>
<p>&#8220;You don&#8217;t know what the fuck you&#8217;re talking about, do you?&#8221;</p>
<p>&#8220;Not at all,&#8221; I said, &#8220;but that&#8217;s how I feel.&#8221;</p>
<p>Anyway, I always hold out hope for art &#8212; hence the &#8220;?&#8221; in the title &#8212; so I&#8217;ll be attending to see how slamtastic the festival is, and hopefully hear some good stuff.</p>
<p>I expect any Canadian spoken word festival to have a healthy complement of Maritime and Acadian accents, if not outright French. In my experience that&#8217;s where really exciting usage which is uniquely Canadian comes from. I&#8217;d really like to see something Aboriginal too, like the rappers on APTN.</p>
<p>That might be a tall order for Victoria, but we&#8217;ll see.</p>
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		<title>The Linguistic Bias of the CBC</title>
		<link>http://mentalpolyphonics.com/posts/the-linguistic-bias-of-the-cbc</link>
		<comments>http://mentalpolyphonics.com/posts/the-linguistic-bias-of-the-cbc#comments</comments>
		<pubDate>Wed, 04 Nov 2009 15:15:56 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
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		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=8690</guid>
		<description><![CDATA[&#8220;When did you stop beating your wife?&#8221; When I complain about the CBC that kind of reporting is what I&#8217;m talking about. You have to listen for it, it&#8217;s subtle, but it&#8217;s there and the bias is clear. &#8220;Is the Monarchy an anachronism?&#8221; When the title character of the Scottish play and his best friend [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;When did you stop beating your wife?&#8221;</p>
<p>When I complain about the CBC that kind of reporting is what I&#8217;m talking about. You have to listen for it, it&#8217;s subtle, but it&#8217;s there and the bias is clear.</p>
<p>&#8220;Is the Monarchy an anachronism?&#8221;</p>
<p>When the title character of the Scottish play and his best friend are described as cleaving the Danish lines like &#8220;cannons double-cracked&#8221; <em>that</em> is an <a href="http://www.google.com/search?q=define:anachronism">anachronism</a> because the technology for double-cracking cannons didn&#8217;t exist contemporaneously with those characters.</p>
<p>But the Canadian monarchy currently exists. It <em>cannot</em> be an anachronism because it is contemporaneous. It&#8217;s crazy-making to argue the point, you get to definitional tautology that quickly. The answer is &#8220;no&#8221;, but only in the sense that the question is ridiculous.</p>
<p>Q: &#8220;Is the Monarchy a stylistic error in chronology?&#8221;<br />
A: &#8220;How much scotch did you have for breakfast?&#8221;</p>
<p>The question frames the debate poorly (unless you hate royalty). CBC: If you want to get rid of the institution, just say so. Don&#8217;t ask if it&#8217;s a foible of timekeeping and leave dangling the implication that such &#8220;eccentricities&#8221; should be &#8220;corrected&#8221;. Asking questions like that is what salespeople do, it&#8217;s called yes-laddering, and it&#8217;s disgusting, manipulative journalism.</p>
<p>Ask this, it&#8217;s neutral: &#8220;Should the monarchy exist?&#8221;</p>
<p>Anyway, I have to stop there. It&#8217;s time for bed and I promised myself I wasn&#8217;t going to care about the news media.</p>
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		<title>Elizabeth Gilbert sez&#8230;</title>
		<link>http://mentalpolyphonics.com/posts/elizabeth-gilbert-sez</link>
		<comments>http://mentalpolyphonics.com/posts/elizabeth-gilbert-sez#comments</comments>
		<pubDate>Tue, 03 Nov 2009 06:41:38 +0000</pubDate>
		<dc:creator>Jack</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Writing]]></category>

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		<description><![CDATA[&#8230; just give in to the voices.]]></description>
			<content:encoded><![CDATA[<p>&#8230; just give in to the voices.</p>
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