Posts Tagged ‘Surreal’

Are Helium Zeppelin Attacks Unknowable?

Saturday, October 17th, 2009

There’s only one question remaining about the father of the Balloon-boy-who-wasn’t. Clearly he’s completely insane, but is he criminally insane?

“We feel it’s incumbent on us as an agency to attempt to reinterview them and establish whether this is [an] actual event,” Larimer County Sheriff James Alderden said Friday.

And then Wittgenstein rotated along his subterranean bilateral axis. I love it when people struggle with terminology in a way that sounds philosophical. The Sheriff’s “was this an actual event” investigation reminds me of Rumsfeld’s unintentional poem, dubbed Happenings. Rumsfeld’s news briefs were avant-garde, a kind of ready-made, or “found”, poetry that I didn’t think could exist (they were, perhaps, an “unknown known” — punctuation mine):

Happenings

You’re going to be told lots of things.
You get told things every day,
That don’t happen.

It doesn’t seem to bother people, they don’t –
It’s printed in the press.
The world thinks all these things happen.
They never happened.

Everyone’s so eager to get the story,
Before, in fact, the story’s there,
That the world is constantly being fed,
Things that haven’t happened.

All I can tell you is,
It hasn’t happened –

It’s going to happen.

—Feb. 28, 2003, Department of Defense briefing

The poor Sheriff is suddenly faced with an Epistemological problem for which he has received absolutely no training. Hopefully Rumsfeld’s poetry will help him wrestle with the absurdity of his duties:

“We believe, at this time, that it was a real event.”

Japanese Virtual Yoga Fun Fun Snake Monster

Monday, February 16th, 2009

Via BB: OffWorld, the latest in psychedelic gameplay from the land of Everything Strange and the creator of Katamari Damacy*: Noby Noby Boy, designed around the mechanic of stretching. If this blog had archives I’d link you to blah blah etc…

Basically players can control and stretch Boy, the main character of the game. As players stretch Boy, the lengths to which he grows are uploaded to a persistent character known as Girl, who grows at the same rate as the combined length of all the players in the world. Girl starts at Earth and expands around the solar system. When Girl reaches a new milestone in the solar system, new areas are unlocked as playable stages for everyone around the world.

[Ed: snips!]

As I mentioned earlier, this game is indescribable, and some people may say, “This isn’t a game!” But, what is a game? Should there be a definition for a game? That’s the way I feel.

Once again the PlayStation is pulling ahead of the XBox in innovation. Sony openly and unapologetically designs platforms that are difficult to create games for because they think adversity breeds creativity. Dave once observed: “The XBox works like it was designed by Software Engineers, the PlayStation works like it was designed by Electrical Engineers.”

That strategy has worked at least three times now.

*:

What Is This?

Sunday, February 15th, 2009

Karen snapped this today:

I Am Not A Paper Cup

I love it for a couple of reasons.

First, it exists at several removes from any kind of reality. The box originally contained a ceramic coffee cup in the shape of a paper coffee cup, which is itself a proxy for a ceramic coffee mug. So we’ve replaced a mug with a proxy (paper cups) then made an ironic simulation of the proxy (ceramic “paper” cups) and replaced that proxy-simulation with a proxy purporting to be a simulation (the paper cup “speaking” through the text on the box — yes, it’s also anthropomorphic). Then we made an image of it in addition to the image on the box itself.

If you followed that, follow this:

The simulacrum is never that which conceals the truth — it is the truth which conceals that there is none. The simulacrum is true.

Karen was able to take that picture, therefore objective Truth does not exist and we are probably living in the Matrix[*].

Second, it reminded me of The Treachery of Images, but it’s a little more treacherous. Sure, the photographic image isn’t a paper cup, but if you think of it as sculpture it gets weirder. The box is not a paper cup, but what’s inside it actually is (though the box goes into detail about how it’s not). The work is telling us the truth and lying to us simultaneously.

Third, it’s all empty. What we’re looking at is packaged packaging. The box used to contain a cup, the cup used to contain coffee, but it’s actually all empty. In a sense nothing is there.

But by wrapping the wrapper in a wrapper the nothing becomes enough of a something that people were still looking at it after we left our copy of the Seattle simulation of an Italian coffeehouse. It made me wonder at the extent to which we ascribe meaning to packaging: It doesn’t look like garbage, does it? It’s lying to us again, semiotically.

Doesn’t the boxed cup look too important, too much like an “official” object to throw out? But we know the secret: It’s actually empty garbage appropriating the symbolism of Consumerism, which makes it politically ironic — Why did we fetishize the permanent masquerading as the disposable in the first place?

Symbol-stealing packaged empty packaging truth-lying to us about it’s contents: “I’m a simulated proxy! Or am I?”

A fantastic piece that has absolutely nothing to do with coffee.

[*: Re-reading this in the morning I realized how insane it sounds. Baudrillard was criticized, perhaps rightly, for saying "hyperbolic and declarative" things like that. On the surface I'm playing with hyperbole too -- that argument doesn't work, however I do believe that all of its components should be fiercely wrestled with.]

I Am Legion, For We Are Many

Wednesday, January 7th, 2009

The whole Anonymous /b/ thing is really interesting. It’s sardonic anarchy with its own Wikipedia. It’s tribal warfare with digital neutron bombs — all the people are gone, it’s just structure. Look at this sentence:

[420chan] is an imageboard mostly filled with a strange combination of completely stoned people, cross dressers, and shota lovers.

(NSFW Link is theirs.)

The sentence is structured to entice you to dig deeper. “Click me”, it says, and once you’re through the looking glass you’re immediately and violently punished. It’s a memetic timebomb that goes off again and again and again.

The /b/ clans are turning communication tools into digital weapons, from griefing virtual worlds and wikis all the way down to DDOSing with bare packets: Technology-as-anarchist-prank. It’s fantastic.

The lovable detritus of the 4chan civil war live in a community immune to its own tactics — because invading /b/ is like pissing into an ocean of piss. And once the community reached a critical mass it exploded into this V-like noumenon Anonymous “who” identifies with the Biblical Legion. Truly Sci-Fi, PKD-style stuff.

Once again I find myself arriving in the future.