Posts Tagged ‘Culture’

The Feminist Dialectic

Wednesday, May 20th, 2009

Sex and the City’s Carrie Bradshaw was based on Cosmo editor Helen Gurley Brown. Brown is best known for writing Sex and the Single Girl in 1962. Peggy Olson in Mad Men (set in 1960 – 1962) somewhat embodies the book:

  • don’t get married
  • be your career
  • be realistic about your looks but put effort into looking better
  • enjoy sex
  • get your boyfriends to buy you things

This pragmatic feminism was heavily criticized by 2nd-wave feminists but Brown’s work can now be interpreted as 3rd-wave feminism. But just because it’s on the 3rd-wave spectrum doesn’t mean it’s entirely positive, as Naomi Wolf notes (emphasis mine):

[Individualist 3rd-wave feminism is] ahistorical and apolitical… the world isn’t going to change because a lot of young women feel confident and personally empowered…a saucy tattoo and a condom do not a revolution make…What we lack is a grass-roots movement that will drive the political will. “Lipstick” or lifestyle feminism won’t produce that movement alone.

Review: Veer

Wednesday, March 25th, 2009

Veer explores America’s fast-growing bicycling culture by profiling five people whose lives are inextricably tied to bicycling and the bike-centric social groups they belong to. The film follows these characters over the course of a year, offering a behind-the-scenes look at their personal struggles and triumphs. Veer examines what it means to be part of a community, and how social movements are formed.

There are two movies here. The bleeding-heart documentary (which has nothing to do with “culture” or social groups):

  • Steven Kung runs an organization that teaches bike workshops; there’s some theme of international touring that gets mentioned but never explained
  • Gabe Graff teaches bike safety to kids: he is very earnest and never shown interacting with other adults
  • Scott Bricker lobbies the state government (although I’m not sure how a non-Oregonian was supposed to figure this out) on pro-bike traffic laws

And the journalistic look at the narrative of Portland bike culture: The zoobombers form the core of Portland’s bike social circle. Around them is built a summer bike festival. Lauren Pederson and some zoobombers got together to form the women’s ironic dance troupe The Sprockettes, which is prominently featured in the summer bike festival. Gabe Tiller, king of the zoobombers, and his queen* do a bunch of stuff at the summer festival and are also key players at the alternative winter bike festival.

I think the two themes were mashed into one documentary because the community organizers are too boring and the enthusiasts are too vapid to stand alone. The editing is very tight, so the material may have simply not worked in any other structure. The camera-work and sound is also top-notch, and the pacing is relatively good.

* Vancouver-based activist Ifny Lachance – thanks Dan!

Postmodernism vs Neo-Marxism

Wednesday, March 18th, 2009

My friend Tara recently wrote an excellent summary of what a neo-Marxist revolutionary does. My summary is that neo-Marxists believe that the majority of us live under a false meta-narrative, believing that our alienation is either desirable or has no alternative. (This sounds a lot more like The Matrix than Baudrillard does, eh?) The neo-Marxists (and Tara uses the Situationist flavour of neo-Marxist jargon) attempt to raise our consciousness by doing stuff like avant-garde art.

I don’t really get neo-Marxism, while I do dig postmodernism, so I see the situation through a postmodern lens: The neo-Marxists are incredulous to the dominant meta-narrative (ie: work is good) but see their own meta-narrative (ie: wacky stuff is good) as more authentic. Postmodernism says that all meta-narratives are not credible and the craving for the authentic is part of the late-modern meta-narrative, so the neo-Marxists are part of the system they’re attempting to overthrow. (The highly accessible text that introduced me to this idea is The Rebel Sell.)

Postmodern Tattoos

Friday, February 27th, 2009

Stuff White People Like has a comprehensive discussion of postmodern tattoos. Besides the ones they list, the only other cases of postmodern ink I’m aware of are the to-do list:
to-do list

And then of course Steve-O has the world’s largest gallery of postmodern tattoos:
Billy Bob
portrait: 'yeah dude, I rock!'

When I was shopping for a tattoo I considered getting something postmodern. In fact, I found my artist by Googling “postmodern tattoos”. I ended up getting a crafted (and therefore authentic), late-modern piece that is both abstract-minimalist and concrete-organic. And now that I write about it, it occurs to me that I need to work on the multiplicity of narratives surrounding it… (do you see what I did there?)