Posts Tagged ‘architecture’

Victoria’s New Bridge

Monday, September 14th, 2009

The City of Victoria has floated three designs for the new Johnson Street Bridge. They’re all bascule bridges, meaning they swing up with a counterweight, because that’s the simplest energy-efficient way to build a movable bridge.

Reverse bascule
reverse bascule sketch
The copy says this is inspired by van Gogh’s Drawbridge with Carriage, except that bridge is a double regular bascule, not a single reverse bascule. The inspiration is that, unlike 20th century bascules like the current Strauss bridge, the counterweight is a panel instead of a cement block. It’s hard to make out in the distance sketches, but the way it works is the horizontal panel hinges to vertical when the bridge opens. I can’t find a picture of an open reverse bascule, so I think they must be uncommon.
Rolling bascule
rolling bascule sketch
As far as I can tell, the Canary Wharf area has a bunch of bridges and proposed bridges: one of them is a rolling bascule.* According to the city of Victoria’s director of engineering, the Canary Wharf bridge has the rolling mechanism below the deck with a walkway passing through it: the Victoria version has the rolling mechanism above deck to be more visually striking.
rolling bascule animation
I believe the Te Wero Bridge being built in Auckland is a rolling bascule bridge; I wish Victoria’s bridge could be so cool:
Te Wero bridge open
Cable-stayed bascule
cable-stayed bascule sketch
You get to choose your tower shape and angle, as well as how the cables are connected but these bridges all basically look the same:
1891 iron bridge by William Flinn in Texas

Writers to the Times Colonist have suggested a replica of the current bridge or of London’s Tower Bridge.

I voted for the rolling bascule because I think it has the best combination of industrial girders to reference the working harbor and stupid modernist curves to reference tourism.

* The City’s website stole the photo from WikiMedia, violating copyright.

The Architecture of Oppression

Wednesday, April 15th, 2009

The Times Colonist recently ran a series of articles on the poor state of reserve housing in BC. In my reading, they primarily blamed the development process: that chose lowest-bid developers and then didn’t include any quality inspection or performance measures to ensure the developers completed the contract. They also spoke frequently of the physical wear created by overcrowding, although always implying insufficient housing stock, not an attempt to implement extended-family culture in European-style homes.

One issue handled carefully by the journalists was poor maintenance standards: they did not want to suggest that those people were bad tenants. But most recommendations for improvement included, in the small print, training for tenants in housing maintenance. The argument was made that many of the conditions, including poor maintenance, are widespread in ghettos all over the world (no matter what ethnic group is ghettoized). And I would add that making home ownership illegal probably doesn’t help.

I’m not sure why it’s taboo to say that most natives don’t know how to maintain a Western home? Why would they? Reservation schools were successful at dismantling past cultural practices without being successful at assimilation, which would include house-culture. Even if traditional native culture were intact, what relevance would it have to Western homes?

They traditionally haven’t had the experience of building upkeep, and they didn’t need to. If the building returned to the forest, that was what it was supposed to do.

Review: Caffè Artigiano/Victoria

Tuesday, March 17th, 2009

I’m mostly excited about having an Artigiano in Victoria because it has a better location and hopefully better hours than Victoria’s other 1st-tier coffee shops. I don’t expect better coffee, because Discovery, 2% Jazz, and Habit are, by all accounts, competitive with the best in Cascadia. In fact, I find Artigiano’s espresso to be a little bitter.

I’m sitting in Artigiano/Victoria for the first time. I’ve been in Artigiano/Hornby a few times in the last month, so this is a perfect time to contrast the locations.

Artigiano/Victoria is in a two-story-high hotel lobby, strictly partitioned from the hotel by a human-height wood and glass wall. I would have made the wall all-wood because the coffee shop is not so small that it would become claustrophobic without the glass and seeing the hotel is odd. Hanging from the soaring ceilings are huge, round lamps with soft light: they’re interesting, but a far cry from the cozy, fake-stone, lowered ceilings of Artigiano/Hornby. Overall, I’d be less likely to sit in this location than a Mirage or Habit – it feels more like a place to get coffee to go (which ruins the experience of a high-end espresso).

The coffee, however, is better than Artigiano/Hornby’s: more smooth and with a better flavor balance. It’s a shame Artigiano couldn’t get a better location for their first store in Victoria, but I’ll be back for the coffee.

Two Meanings of “Postmodern”

Thursday, March 5th, 2009

Artists and architects (or at least academics and historians thereof) have an insatiable need to label minute trends in their disciplines. As a result, the “postmodern period” in art took place during the summer of 1978 or something like that. In contrast, in philosophy and the social sciences, postmodernism started with/after Kant and is still slowly gathering steam. The (otherwise unremarkable) pop-architecture book The Seduction of Place: The History and Future of Cities has a nice line about the difference:

Postmodernism has now been given a rather different implication and weight by sociologists and geographers, who are concerned with the way categories of knowledge develop within late capitalist society in harness with power and privilege.

This is a Foucaultian view in its emphasis on the study of power-relations. I have only recently come across the idea that postmodernism is an ontological pursuit (what exists?) compared to modernism as an epistemological pursuit (what can we know?), so I can’t say more about that.