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	<title>Comments on: Review: Generation Kill</title>
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	<description>Committees exist to share blame.</description>
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		<title>By: Jared</title>
		<link>http://mentalpolyphonics.com/posts/review-generation-kill-2/comment-page-1#comment-71481</link>
		<dc:creator>Jared</dc:creator>
		<pubDate>Thu, 09 Jul 2009 17:16:00 +0000</pubDate>
		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=3080#comment-71481</guid>
		<description>Yeah, I haven&#039;t read &lt;em&gt;The Killer Elite&lt;/em&gt;. I&#039;d like to read a review of GK that compares it to KE?</description>
		<content:encoded><![CDATA[<p>Yeah, I haven&#8217;t read <em>The Killer Elite</em>. I&#8217;d like to read a review of GK that compares it to KE?</p>
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		<title>By: Jack</title>
		<link>http://mentalpolyphonics.com/posts/review-generation-kill-2/comment-page-1#comment-71480</link>
		<dc:creator>Jack</dc:creator>
		<pubDate>Thu, 09 Jul 2009 16:15:55 +0000</pubDate>
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		<description>GK is based (closely) on &lt;a href=&quot;http://www.rollingstone.com/politics/story/22026717/the_stories_behind_generation_kill&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;The Killer Elite&lt;/a&gt; reportage from Rolling Stone.</description>
		<content:encoded><![CDATA[<p>GK is based (closely) on <a href="http://www.rollingstone.com/politics/story/22026717/the_stories_behind_generation_kill" rel="nofollow"><em>The Killer Elite</em></a> reportage from Rolling Stone.</p>
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		<title>By: Jack</title>
		<link>http://mentalpolyphonics.com/posts/review-generation-kill-2/comment-page-1#comment-71479</link>
		<dc:creator>Jack</dc:creator>
		<pubDate>Thu, 09 Jul 2009 15:24:55 +0000</pubDate>
		<guid isPermaLink="false">http://mentalpolyphonics.com/?p=3080#comment-71479</guid>
		<description>Militaries are &lt;em&gt;fascinating&lt;/em&gt; organizations. They make real the masculine dialog between The Outlaw and The Authoritarian, and have that whole bit about soldiers needing a soundtrack to give them social context (&lt;em&gt;The Ecstatic&lt;/em&gt; has at least one track targeted at soldiers in Iraq). I can&#039;t think of any other social organ that actively de-socializes people, except maybe the police (although some people think both police and criminal never fully socialize in the first place).

It&#039;s The Hero&#039;s Journey, reified and applied en-masse (&quot;army of one&quot;). That&#039;s one reason stories about war are so engaging -- they flick switches deep inside the brain.

I subscribe to the theory that we&#039;re only just figuring out The Heroine&#039;s Journey. It&#039;s interesting to see the differences in what female (the plight) and male (the fight) war correspondents tend to write about, I reckon it&#039;s directly on-point.</description>
		<content:encoded><![CDATA[<p>Militaries are <em>fascinating</em> organizations. They make real the masculine dialog between The Outlaw and The Authoritarian, and have that whole bit about soldiers needing a soundtrack to give them social context (<em>The Ecstatic</em> has at least one track targeted at soldiers in Iraq). I can&#8217;t think of any other social organ that actively de-socializes people, except maybe the police (although some people think both police and criminal never fully socialize in the first place).</p>
<p>It&#8217;s The Hero&#8217;s Journey, reified and applied en-masse (&#8220;army of one&#8221;). That&#8217;s one reason stories about war are so engaging &#8212; they flick switches deep inside the brain.</p>
<p>I subscribe to the theory that we&#8217;re only just figuring out The Heroine&#8217;s Journey. It&#8217;s interesting to see the differences in what female (the plight) and male (the fight) war correspondents tend to write about, I reckon it&#8217;s directly on-point.</p>
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